Welcome to What I've Read February edition. This is where I share book(s) from true crime, who done its, historical, and other genres that I've read this month. My hope is you find a new book, author or genre to add to your reading list.
Happy Reading!
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All children mythologize their birth... So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain.
Disinterring the life she meant to bury for good, Vida mesmerizes Margaret with the power of her storytelling. Hers is a tale of gothic strangeness, featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, and a devastating fire. Struck by a curious parallel between their stories, Margaret demands the truth from Vida, and together they confront the ghosts that have haunted them.
The Thirteenth Tale is a return to that rich vein of storytelling that our parents loved and we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter, and in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.
Beyond pulling a room together with great fabrics and furniture pieces, Kathryn M. Ireland has an extraordinary talent for pulling together stunning tabletops and delicious meals. Here she celebrates good friends and great food in the French countryside and in southern California. In an elegant scrapbook style, she shares her notes and advice on entertaining, particularly outdoors. Join Kathryn and her talented friend Ithaka for a breakfast, lunchtime picnics, a candlelight dinner, afternoon tea, a barbecue, and a wedding—all interlaced with signature Kathryn M. Ireland fabrics.
At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good. In his early twenties, he shared an apartment in Manhattan’s Hotel Des Artistes with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor working as a popcorn concessionaire at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin’s twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne’s career as a crime reporter for Vanity Fair and a victims' rights activist.
And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny, and moving characters—its author most of all.
Southern food is more than cornbread, biscuits, and fried chicken. Cook and designer James Farmer, known as “a Martha Stewart of the South,” revamps the menu with his own twists on traditional Southern dishes (ergo, Peach and Pecan Chicken Salad, Collard Cole Slaw, Plum and Persimmon Pork Tenderloin). Stitched together with a combination of tradition and nostalgia, Farmer’s dishes are updated for today’s lifestyle without sacrificing the scrumptious delight that is the hallmark of Southern foods, all using what is fresh and best, gleaned from the land and garden and steeped in heritage.
C.S. Lewis’s The Screwtape Letters has entertained and enlightened readers the world over with its sly and ironic portrayal of human life and foibles from the unique vantage point of Screwtape, a highly placed assistant to “Our Father Below.” At once wildly comic, deadly serious, and strikingly original, C.S. Lewis gives us the correspondence of the wordly-wise devil to his nephew Wormwood, a novice demon in charge of securing the damnation of an ordinary young man. The Screwtape Letters is the most engaging account of temptation—and triumph over it—ever written.
Killing the Witches revisits one of the most frightening and inexplicable episodes in American history: the events of 1692 and 1693 in Salem Village, Massachusetts. What began as a mysterious affliction of two young girls who suffered violent fits and exhibited strange behavior soon spread to other young women. Rumors of demonic possession and witchcraft consumed Salem. Soon three women were arrested under suspicion of being witches--but as the hysteria spread, more than 200 people were accused. Thirty were found guilty, twenty were executed, and others died in jail or their lives were ruined.
Killing the Witches tells the dramatic history of how the Puritan tradition and the power of early American ministers shaped the origins of the United States, influencing the founding fathers, the American Revolution, and even the Constitutional Convention. The repercussions of Salem continue to the present day, notably in the real-life story behind The Exorcist and in contemporary “witch hunts” driven by social media. The result is a compulsively readable book about good, evil, community panic, and how fear can overwhelm fact and reason.
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xo Tina
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